Skip to content
  • 9am–5pm
  • Free general admission
  • Shop

The horse Phar Lap is a legend of Australian sporting history. His sensational rise from humble beginnings captured the public's imagination during the difficult years of the 1930s Depression.

Phar Lap won 37 races from 51 starts, including the 1930 Melbourne Cup. His death in 1932 prompted an outpouring of anger and grief.

Side profile of a jockey riding a racehorse on a track.
Jockey Jim Pike riding Phar Lap at Flemington racecourse, about 1930

Heart as big as Phar Lap's

Horses heart suspended in a clear solution in a clear case. The bottom right quarter of the heart has been removed. - click to view larger image
Phar Lap's heart

Phar Lap's heart is one of the icons of the National Museum's collection. It weighs 6.35 kgs. This is more than 1.5 times the weight of an average thoroughbred racehorse heart, which weighs 3–4 kgs.

Phar Lap's heart was returned to Australia for testing after his sudden death in the United States in 1932. It was found to be of an unusually large size, and was donated to the Australian Institute of Anatomy, where it was on show for many years.

The saying 'a heart as big as Phar Lap's' alludes to the horse's strength and staying power, as well as the weight of his heart. It is used to indicate great courage, generosity or power.

Phar Lap's place in history

Phar Lap's popularity was not just due to the fact he won, but due to his humble origins. In the blighted years of the Depression, Phar Lap's spectacular rise from humble beginnings spoke strongly to the hopes and dreams of ordinary Australians. He had neither looks nor obvious racing potential and was leased cheaply by a relatively unknown trainer, Harry Telford.

New Zealand to Australia

Phar Lap was born in Timaru, New Zealand, on 4 October 1926, a rich red chestnut gelding who stood 17 hands high. The yearling was one of six sent by Seadown Stud owner Alec Roberts, to the thoroughbred sale at Trentham, New Zealand, in 1928.

Sydney-based Australian trainer Harry Telford received a copy of the catalogue for the sale, and was impressed by the colt’s breeding. Telford did not have money to finance the purchase and approached American businessman David J Davis.

Davis was initially reluctant to commit to the unseen horse, but eventually Telford’s brother inspected the horse and Davis contacted Jack Sullings, a business associate in New Zealand, to bid for him.

The auctioneer’s copy of the New Zealand Thoroughbred Yearling Sale Catalogue for 24 January 1928, bought by the Museum on the eve of the 2015 Melbourne Cup, includes handwritten notes that show ‘Davis of Sydney’ was the buyer, with the direction ‘Telford to take delivery’ and the price of £160.

Melbourne Cup favourite

In Australia, Phar Lap failed to place in eight of his first nine starts, but went on to win 36 of his next 41 races, including the 1930 Melbourne Cup, carrying a 62.6 kilogram handicap. In 1931 alone, he won 14 races.

Phar Lap often won by several lengths and finished at half pace. He was the only horse in Australian racing history to have been favourite for the Melbourne Cup three years running.

Black and white photo showing a jockey in racing silks riding a horse. - click to view larger image
Phar Lap and jockey Billy Elliot a week before the Agua Caliente race in 1932

Sudden death in America

In 1931 Telford and David became co-owners of Phar Lap. Davis suggested sending the horse to America to contest the 1932 Agua Caliente handicap in Tijuana, Mexico, the richest race in the world at the time.

Phar Lap and jockey Billy Elliott won the lucrative race. Sixteen days later, on 5 April 1932, Phar Lap died in mysterious circumstances in San Francisco.

Tommy Woodcock, the devoted strapper who had seen the horse through all of his races, was heartbroken.

In Australia, Phar Lap's death was seen as a great tragedy, and rumours spread that the horse may have been poisoned.

Davis arranged for Phar Lap's heart to be sent to the University of Sydney for examination by Dr Stewart McKay, an authority on thoroughbreds, and pathology expert Professor Welsh.

It was then that part of the wall of the left ventricle was removed, to inspect the muscle thickness of the heart walls. Noting the unusually large size of Phar Lap's heart, Dr McKay suggested to Telford that it be donated to the Australian Institute of Anatomy in Canberra.

Debate continues today as to whether Phar Lap died of an acute infection or from arsenic poisoning.

Black and white image showing Phar Lap's heart on show as part of an Institute of Anatomy display. - click to view larger image
Phar Lap's heart, bottom right, at the Institute of Anatomy

Remains dispersed

Phar Lap's remains were dispersed across the globe.

His mounted hide went to the Museum of Victoria in Melbourne, the skeleton to the National Museum of New Zealand in Wellington and the heart to the Australian Institute of Anatomy.

For many years Phar Lap's heart was on show in Canberra beside the much smaller heart of an army horse.

The Institute of Anatomy collection of wet biological specimens, including Phar Lap's heart, became one of the key collections of the National Museum of Australia in 1980.

Genetic advantage?

Other successful racehorses have also been found to have abnormally large hearts. Research has uncovered a genetic anomaly, named 'the X-Factor', which is passed down through the female line, and originates in the daughters of a racehorse named Eclipse.

Eclipse was foaled in England in 1764, and began racing as a four-year-old. He won all 18 starts, and was retired to stud, where he sired hundreds of winners. When he died in 1789 his heart was removed for burial, and was weighed. Eclipse's heart weighed 14 lbs, or 6.35 kgs, the same as Phar Lap's.

Phar Lap's race wins album

The Museum's Phar Lap collection includes the personal photograph album of Phar Lap's owner, David Davis. The album has 36 black and white photographs, documenting each of Phar Lap's race wins in Australia, with race details inscribed on the mounts. There are 18 pages in all.

This is the only photo album known that features each of Phar Lap's Australian wins. Davis died in 1959 and this album was discovered by his descendants in the attic of the family home in California in the 1990s.


The Maiden Juvenile H'cap, 1929

The Rosehill Guineas, 1929

AJC Derby, 1929

The Craven Plate, 1929

VRC Derby, 1929

VRC St Leger, 1929

VRC Governor's Plate, 1930

VRC King's Plate, 1930

The Chipping Norton Stakes, 1930

AJC St Leger, 1930

The Cumberland Stakes, 1930

The AJC Plate, 1930

Elder Stakes, 1930

King's Cup, 1930

The Chelmsford Stakes, 1930

The Hill Stakes, 1930

The Spring Stakes, 1930

The Craven Plate, 1930

The Randwick Plate, 1930

WS Cox Plate, 1930

The Melbourne Stakes, 1930

Melbourne Cup, 1930

Linlithgow Stakes, 1930

CB Fisher Plate, 1930

St George Stakes, 1931

Futurity Stakes, 1931

Essendon Stakes, 1931

The King's Plate, 1931

Underwood Stakes, 1931

Memsie Stakes, 1931

The Hill Stakes, 1931

Spring Stakes, 1931

The Craven Plate, 1931

The Randwick Cup, 1931

WS Cox Plate, 1931

Melbourne Stakes, 1931

Phar Lap collection

The Museum's Phar Lap collection also includes:

  • Jockey Billy Elliott's Agua Caliente Jockey Club official race program. The 1932 program from Phar Lap's last race includes this inscription on the cover: 'To my Darling Wife with best love from Bill'.
  • Jockey Jim Pike's riding boots and skull cap from the 1930s. At the peak of his career, Pike was known as 'The Master'. Pike rode Phar Lap to 27 wins in 30 races, including the 1930 Melbourne Cup.
  • An Akubra hat that belonged to Mudburra man Pharlap Jalyirri Dixon, who was born around 1922 on a Northern Territory cattle property. The station owner nicknamed his Aboriginal stockmen after racehorses, and Dixon became known as Pharlap.
  • Additional parts of Phar Lap's heart discovered as part of the Horses in Australia project.

In our collection

Portrait painting of Phar LapEquine artist Stuart Reid painted several portraits of Phar Lap and was given direct access to the horse in order to paint him from life. It is unclear if this portrait was a study for a larger work, or if it was a copy of a painting Reid had already completed.
Return to Top