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Aboriginal and Torres Strait Islander cultures and histories

WARNING: Visitors should be aware that this website includes images and names of deceased people that may cause sadness or distress to Aboriginal and Torres Strait Islander peoples.


Welcome to the National Museum of Australia’s Aboriginal and Torres Strait Islander program.

Curator David Kaus and visiting Kokoberrin artist Shaun Edwards, from far north Queensland, examine a piece of fibre work at the Museum's Indigenous collections store.

Photo: George Serras.


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Curator David Kaus and visiting Kokoberrin artist Shaun Edwards, from far north Queensland, examine a piece of fibre work at the Museum's Indigenous collections store.

From the Museum

Explore our exhibitions and online features on the diversity of Aboriginal and Torres Strait Islander peoples, enduring Indigenous attachment to country and contributions to Australian society.

Exhibitions and galleries

Now showing

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Past exhibitions

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Objects

Collection highlights

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Collection interactives

 

Goree

Goree looks at the activities and achievements of the National Museum of Australia as we engage with Aboriginal and Torres Strait Islander peoples and their material culture, and share their stories.

Latest from Goree

STORIES

25 Jul 2016

Talented artists share their stories

Sid Bruce Shortjoe
Five talented Aboriginal and Torres Strait Islander artists have shared their work in Canberra as part of NAIDOC Week and the Mullingarri Meddhung events linked to the Encounters exhibition.

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Did you know?

The Aboriginal and Torres Strait Islander program’s web banners and the title of our online newsletter, Goree, were inspired by the bogong moth.

Goree means 'bogong moth' and historically, the Ngunnawal and Ngambri peoples gathered at the site where the Museum stands in Canberra for an annual bogong moth ceremony.


Quotes

Passing Down the Knowledge

‘Your father and kurdungurlu [ritual manager] give you a clue, they’ll show you a drawing on the ground first. You know it because you’ve seen your father [in a ceremony] with that painting on his body. You’ll see it, then you’ll know it.’

Michael Nelson Tjakamarra, 1988