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A message from Warlukurlangu Artists Aboriginal Corporation

A colour photo of Paddy Japalajarri Stewart's hands.  - click to view larger image
The hands of Paddy Japaljarri Stewart. Photo: Vanessa Bertagnole

We are really proud and happy to share with everyone these drawings made a long time ago by our elders. We hope that these drawings will help people understand what Aboriginal people went through during the early years of first contact.

I am also an artist and I am always amazed by the power of art and its ability to help us share our stories and culture.

We hope you enjoy this exhibition and maybe it will help you appreciate Aboriginal culture a bit more.

Otto Jungarrayi Sims
Chairman, Warlukurlangu Artists Aboriginal Corporation, June 2014

From Hooker Creek to Canberra

This exhibition is about things that we know, and also about things that we don’t know, and probably never will.

What we do know is that in the early 1950s anthropologist Mervyn Meggitt was living with Warlpiri people at the settlement of Hooker Creek (now known as Lajamanu), in the Northern Territory.

One day in 1953 Meggitt presented paper and crayons to Warlpiri men and invited them to make drawings. Over 10 months the men — as well as a small number of women — responded with pictures that enchanted and confounded Meggitt. Some pictures continue to pose difficult questions today.

In 1965 Meggitt deposited the 169 drawings he collected at Hooker Creek with the Australian Institute of Aboriginal Studies in Canberra.

He also lodged an audio recording describing each drawing, as well as the photographs he took at Hooker Creek. Each drawing was mounted on card for ease of handling and filed away.

New generations

In 1980 researcher Stephen Wild reviewed the drawings with senior Warlpiri men. They advised him that 50 of the drawings depicted restricted men’s themes and instructed that these be locked away.

In 2011 a new generation of Warlpiri men looked at the remaining 119 drawings and endorsed their suitability for public viewing and new research.

Six decades after the drawings were created, with all their makers and their collector deceased, researchers Melinda Hinkson and Stephen Wild reintroduced the drawings to a new generation of Warlpiri.

Embraced with curiosity and delight

The Warlpiri embraced these drawings with curiosity and delight. 'We never knew about these drawings,' many people exclaimed. But they were also perplexed by some of Meggitt’s descriptions.

A project ensued to try and make sense of the Hooker Creek drawings. In the process, the researchers uncovered further collections of Warlpiri drawings.

The exhibition includes new drawings created by Warlpiri people and shows how this art form has been used to explore 80 years of monumental change, to picture the present and look towards the future.

Regional map

The Warlpiri region is in the Northern Territory of Australia, north of Alice Springs. This map shows the main locations mentioned in the Warlpiri Drawings exhibition.

Stylised map showing Warlpiri and Anmatyerre country in the Northern Territory of Australia. Key locations include Yueundumu and Willowra, and just outside the border, Alice Springs, Hooker Creek and Tennant Creek.
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