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Billy Wara video transcript
Arid zone ecologist Jake Gillen remembers Pitjantjatjara custodian Billy Wara and shares his understandings of food systems in the Uluru region.
Recorded at the National Museum of Australia in 2013
JOE GILLEN: Well, my role at Uluru was principally as an ecologist managing natural and cultural values of the park. A long time ago now, so from about 1994 through to 2000.
I worked in a joint management situation with senior Anangu, senior men and women, very much in a ngapartji ngapartji way, which means I learnt from them and they learnt from me.
So it was a respectful relationship that we had.
Billy Wara was a very tall, elegant, dignified man; very gentle, very quiet but a wonderful artist. And readily identifiable in the community because he used to walk with his very tall dog papa wara papawarra, papa meaning dog and wara tall again.
He was a senior law man and his main Tjukurpa, mythological story, related to the ngintaka or the perentie lizard (Varanus giganteus), the top order carnivore in that landscape.
They’re quite a formidable beast. If you come across a perentie in the landscape, you want to look for a tree, I think. They can grow up to over six feet in length so they’re quite big, formidable creatures.
I made several field trips with Billy to the south-west corner of the territory where he collected timber for his carvings or I remember him collecting a flitch of wood from a mulga to make a miru or a spear thrower.
It was wonderful seeing him working at it next to the fire. He was just a consummate craftsman. It was beautiful.
I worked with a number of senior Aboriginal men at Uluru burning – patch burning – the landscape.
We tried to reintroduce the traditional burning practice, breaking up the country into patches so that wild fire wouldn’t sweep through and destroy the landscape.
There’d always be different patches in different stages of recovery, which meant a lot in terms of habitat requirements for particular species, food species in particular.
I worked with people like Norman Tjakalyiri Ngurjakaliri and Katakura Katacura who were very senior men and were artists in their use of fire.
They really knew to how to burn in a very controlled sense.
Burning was not only important in breaking up the country in our context trying to prevent wild fire but also in the sense of propagating a range of edible species, plant species in particular.
For example, if a spinifex plain was burnt, a particular plant that would respond really well was desert raisin or kampurarpa, (Solanum centrale), a very sweet fruit – bush tomato some people call it.
But it also as a plant attracted a kiparaor a bush turkey (Ardeotis australis), the bustard, which also has very good eating. So you could see a cycle. You burnt to produce food which would attract food in the landscape.
It also produced a number of grass species that were used to produce flour for a form of bread, a grass called wananung wangunu in Pitjantjara or woolly butt (Eragrostis eriopoda) in our vernacular. That was readily collected by the women and yandied or winnowed and threshed and turned into flour.
So fire was very important in producing an array of food in the landscape.
If we’re talking about fire in the landscape, it’s important to really realise that we need an array of vegetation communities of different age. In other words, we talk about old growth forests even in the centre.
In the desert we need old growth mulga communities or even old growth spinifex communities for different species.
Different species require different vegetation communities of different age structures. For example, the mallee fowl, or nganamara (Leipoa ocellata) as it was locally called, required unburnt patches of mallee over 40 years old. They were very important in the landscape.
If wild fires were to consume extensive areas of mallee destroying the old growth, we’d lose the habitat for the mallee fowl. In fact, while I was the ecologist at Uluru, Joe Benshemesh, a scientist from Victoria, rediscovered a mallee fowl population in the north-west corner of South Australia. I managed to take a number of senior men down to visit this discovery.
And Norman Tjakalyiri in particular who was very excited to be able to actually hold a mallee fowl egg, a ngampuin his hand and talk about how he used to eat these as a boy.
So that was a very significant rediscovery of a species requiring a particular plant community of a particular age structure in the context of fire in the landscape.
Mulga communities are really important in an economic sense for local people. Mulga is the source of some of the best timber for cooking, some of the best timber for making digging sticks, a variety of artefacts.
But in a food sense, it’s the source of honey ants. Honey ant chambers would be located beneath mulga trees, and the women would spend hours digging out to almost a metre in depth, or greater, to get to the chambers of these honey ants.
They’d sweep out the honey ants using a little stick or they could use a spinifex leaf or a twig of mulga just to sweep the honey ants out into a piti; or a coolamon , a bowl, and collect them for eating.
The witchetty grub, or makuas the locals call it, has a very specific relationship with the particular plant species Acacia kempeana, or ilykuwara as it’s called in Pitjantjara. The grub itself lives within the roots of the ilykuwara. So the women would dig the roots out, extract the maku, and either eat it raw or it was very nice lightly roasted on hot coals. It tasted a bit like scambled eggs on hot coals – very nice.
Tjilkamata Tjilkamataor – the echidna (Tachyglossus aculeatus) – or the locals actually called it porcupine, was a highly prized item of food. Fatty deposits were highly sought after as a food.
Food Stories is part of the National Museum's People and the Environment program. Discover more stories about people's relationships with Australia's natural and built environments on our People and the Environment website.