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First Gay Mardi Gras

Defining Moments in Australian History

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First Gay Mardis Gras

1978: First Gay Mardi Gras march, Sydney

1978: First Gay Mardi Gras march, Sydney

On 24 June 1978, a small group of gays and lesbians operating as the Gay Solidarity Group staged a day of events in Sydney. The intention was to promote gay and lesbian culture and to encourage political activism against the discrimination they routinely experienced.

The Group organised not only a traditional march and public meeting in the morning but a street parade as well.

The violent police response to the parade brought national attention and helped to establish the parade as an annual event.


More on the first Gay Mardi Gras

Peter Tully, designer and artistic director1:

I’d gone along expecting a mardi gras and finished up in a humdinger of a riot in King’s Cross.
Woman in feathered headdress holding placard saying 'Love has no boundaries'
2012 Sydney Gay and Lesbian Mardi Gras. Photo by Eva Rinaldi.
Tattooed man wearing orange dragon wings
2012 Sydney Gay and Lesbian Mardi Gras. Photo by Eva Rinaldi.

Lead-up to Mardi Gras

The Gay Solidarity Group staged the day of events to mark the ninth anniversary of riots that had taken place in New York City following a police raid on a gay bar called the Stonewall Inn.

The Stonewall riots are widely considered to mark the start of the international gay rights movement.

The events of 1978 were not new. Around Australia, various groups and organisations had been lobbying, staging demonstrations and marches, producing newsletters and a variety of other activities to promote their cause.

Conservative social groups, especially church groups, opposed their activities throughout the 1970s.

Making history

In his history of gay and lesbian activism, Graham Willett describes the 1978 Mardi Gras as the ‘most dramatic moment of the backlash’ against the campaign for gay rights.

Man wearing flamboyant dress made up of colourful globes
Ron Muncaster at the Mardi Gras wearing Lucille Ball’s costume. Courtesy Ron Muncaster.

The parade started at 10.30am and progressed down Oxford Street towards the city. The trouble began when they reached Hyde Park. In an attempt to get the crowd to disperse, the police confiscated the lead truck and loud speaker. The crowd, seeing that access to Hyde Park was blocked, headed towards Kings Cross. It was then that the police moved in. Fifty-three people were arrested.

According to Willett, ‘Many of those arrested were badly beaten inside police cells and the Sydney Morning Herald sank to new editorial lows by publishing the complete list of names and occupations of those arrested’.

Supporters began a ‘drop the charges’ campaign, which initially generated more arrests. However, due to public uproar about the arrests as well as favourable media coverage, the first charges were dropped in October 1978, and all charges were dropped by the end of 1979. Additionally, laws to get permits for street marches and parades were liberalised.

Queen Sequina costume made by Ron Muncaster drapped on a model
Queen Sequina costume made by Ron Muncaster, while on display in the Museum’s Eternity gallery. Courtesy Ron Muncaster.

As such, the first Mardi Gras march was a major civil rights milestone beyond the gay community. About 3000 people marched in an incident-free parade in 1979.

Gathering momentum

Capitalising on this and on the wellspring of support that had emerged, the gay community decided to keep going with the idea of a parade. They continued to campaign on different aspects of discrimination against them, and this also began to translate into a cautious acceptance within mainstream business of gay people as customers and employees. Businesses catering to gay and lesbian people became more open as well.

However, this was not uniformly welcomed within the gay community. For most of the early 1970s, radical gay activists had called for the end of capitalism as an oppressive social force. A gulf emerged between the older radicals and new, less revolutionary activists.

Impact of AIDS

Mardi Gras continued, getting slowly bigger. It faced its next challenge with the spread of AIDS. Anyone who watched television in the early 1980s will remember the Grim Reaper AIDS awareness ads. Public fear about AIDS was so great that organisers of the 1985 Mardi Gras were under intense pressure to cancel.

However, that pressure, combined with the shock of seeing friends, lovers and partners sicken and die, fostered a determination and resilience within the gay and lesbian community. Mardi Gras took on tremendous significance. AIDS activist Bill Whittaker noted, that ‘many of us … know people who just wanted to live until one more Mardi Gras, it was so important in their lives. And they did, and still do’.2

Mardi Gras has since grown to be one of the major events of the Sydney calendar, lasting two weeks and attracting many hundreds of thousands of visitors. The survival and success of Mardi Gras represents a remarkable and defining change in public attitudes.


1 Robert Swieca, Judith O’Callaghan and Glynis Jones, Absolutely Mardi Gras: Costume and Design of the Sydney Gay and Lesbian Mardi Gras, Powerhouse Publishing, Sydney, 1996, p. 6.

2 Bill Whittaker, ‘Marching for our lives’, in Richard Wherrett (ed.), Mardi Gras! True Stories from Lock up to Frock Up, Viking Penguin Books, Ringwood Victoria, 1999, p. 52.

Further reading

History of the event on the Sydney Gay and Lesbian Mardi Gras website

Ron Muncaster discussing the creation of his Queen Sequina costume on YouTube

Graham Willett, Living out Loud: A History of Gay and Lesbian Activism in Australia, Allen & Unwin, 2000.

Richard Wherrett (ed.), Mardi Gras! True Stories from Lock up to Frock Up, Viking Penguin Books, Ringwood Victoria, 1999.

Robert Swieca, Judith O’Callaghan and Glynis Jones, Absolutely Mardi Gras: Costume and Design of the Sydney Gay and Lesbian Mardi Gras, Powerhouse Publishing, Sydney, 1996.

Michelle Arrow

Michelle Arrow, Assoc Professor of Modern History at Macquarie University, discusses the first Gay Mardi Gras.

On show

Ron Muncaster’s Queen Sequina costume is currently on show in the Eternity gallery.


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Topics:CultureSocial Change Places:New South Wales Curriculum subjects:History School years:Year 10