National Museum of Australia - Aimee Fitzgerald: Photogram Series

Aimee Fitzgerald: Photogram Series

PHOTO MEDIA

Title: Photogram Series

Artist: Aimee Fitzgerald
Medium: Photogram
Dimension: 20cm x 25.5cm (x5)
Date: May 2009

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A black and white photograph of a white adult man in nineteenth century-style clothing. He wears a shirt and jacket. He is visible from about the chest up and sits facing the left of the photo. His eyes are directed at the camera. At the bottom of the photo is written 'Arthur Middleton'. The surface of the photo has been worked with blue ink or paint; this forms swirling patterns and lines. A pattern has been drawn on the man's face. It resembles the roots of a tree or perhaps veins. The background of the photo has been rendered indistinct by the surface treatment.

Arthur Middleton.

A photograph of a woman, possibly wearing nineteenth century-style clothing. The surface of the photo appears to have possibly been heated, causing large areas of purple and brown discolouration. The woman's face is just visible beneath these areas. At the bottom of the photo is printed 'In Memory Of Leslie E. Huckins Who Departed This Life On the 20th of December 1895. Aged 9 Months. Interred Presbyterian Cemetery, Rookwood.'

Leslie E. Huckins.

A photograph of an adult white man. He appears to possibly be wearing nineteenth century-style clothing. The surface of the photograph has been treated in such a way that large areas of discolouration are visible. The image of the man is just visible through these areas. At the bottom of the photo is written 'Sam Crompton'.

Sam Compton.

A photograph of a white adult man, wearing nineteenth century-style clothing. He appears to be wearing some sort of uniform. The surface of the photo appears to have been treated in some way. This treatment has caused areas of blue and brown discolouration. At the top of the photo is written 'Sergeant Thomas Danagh'.

Sergeant Thomas Daragh.

A photograph of a seated woman wearing a nineteenth century jacket and dress. The jacket has long sleeves. The frilled cuffs of the woman's shirt can be seen at the end of the jacket sleeves. She appears to have her hair up. She directs her gaze toward the left side of the photograph. The surface of the photograph appears to have been overpainted with translucent layers of white paint. The brush marks can be seen around her head and on her face and body. A pattern appears to have been drawn on the front of her jacket. The pattern transforms into root-like lines that snake up the sides of her face toward her temples.

Charlotte Aberforth.

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