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Kaninjaku: Stories from the Canning Stock Route

Kaninjaku: Stories from the Canning Stock Route

Warning: This website includes images and names of deceased people that may cause distress to Aboriginal and Torres Strait Islander peoples.

On show

Kaninjaku is on show until August 2016 in the Gallery of First Australians at the National Museum of Australia in Canberra. Entry is free.

Kaninjaku, 2008
Kaninjaku, 2008, acrylic on canvas, by Kumpaya Girgaba, Manyjilyjarra language group, Parnngurr community, Martumili Artists.
Kumpaya Girgaba
Kumpaya Girgaba

This painting is the inspiration for the exhibition's title. Kumpaya calls this painting Kaninjaku (Canning Stock Route), but the road is invisible and the canvas is dominated instead by the rhythm of tali, or sandhills.

Despite the road’s prominence in colonial history, and its strong influence on the lives of Aboriginal people, here it has been absorbed into the artist’s language and her vision of her country.

The Canning Stock Route

The Canning Stock Route is a track that was developed on Aboriginal homelands as mining and pastoral industries expanded in Western Australia. This is the story of the Canning, told from the perspectives of the Aboriginal people whose country it crossed. It is a story of contact with kartiya (white people), of conflict and survival, of exodus and return. Above all, it is a story of family, culture and country.

Kaninjaku: Stories from the Canning Stock Route takes highlights from the Museum’s groundbreaking 2010 exhibition Yiwarra Kuju: The Canning Stock Route and combines them with 17 works from the Museum's collection that have not previously been displayed.

Explore the artworks and stories of the Canning Stock Route

The Canning Stock Route Collection

The Museum acquired the Canning Stock Route Collection in 2009. It includes 116 paintings, sculptural works, contemporary cultural objects, documentary material, and oral histories by 60 artists who travelled along the Canning Stock Route on a return-to-country trip in 2007. This project was initiated by FORM, a not-for-profit arts organisation in Perth.

The National Museum of Australia regards this collection as one of truly national significance, providing a living archive of Aboriginal perspectives and experiences of our shared history. It is an important, evolving and dynamic addition to the nation’s heritage and history collections.