Caution: This website includes images and names of deceased people that may cause distress to
Aboriginal and Torres Strait Islander peoples.
Perth, Western Australia
We see life in a boomerang, we see a story in a stick.
Richard Walley, Noongar-Yamatji, 2013
Miago, a young Noongar man from Wurerup (Upper Swan), took a great interest in the British during the early days of the Swan River colony at present-day Perth. He learnt English and joined exploration parties, sailing up the Kimberley coast on HMS Beagle in 1838.
At the same time, aspiring young colonist Samuel Talbot visited the Wurerup region. He collected Noongar objects, including the ngal-bo (feather dance ornament) below and other historical objects on display in Encounters. Talbot’s detailed accompanying notes, ‘Implements used by the natives in the neighbourhood of the Swan River’, reveal a keenness to understand Noongar culture, with important implications for communities today.
I want to acknowledge the white people who sat down with the Aboriginal people, who wrote the stories down, who collected this information that still exists today. Down here in Noongar country, we may have lost all of that had it not been for many of these people.
Marie Taylor, Noongar, 2014
Talbot’s colonial ventures proved ultimately unsuccessful and he returned to Britain. Miago, frustrated by his treatment at the hands of the British, abandoned his relations with them and returned to Wurerup.
This ornament is part of the oldest surviving collection of Noongar objects from the Perth region. Talbot collected them during his last visit to Swan River (Perth) in 1838. He stayed with George Fletcher Moore, a prominent settler who took a deep interest in the Noongar people and their culture. Moore may have helped Talbot in preparing the detailed descriptions of the objects that Talbot gave to the British Museum in 1839.
Boyi Moort (Turtle Families) 2014
When I was a young boy, when we swam in the rivers or the ocean, we would see if we could see any turtles – a strong and significant totem in my father's country. There were always turtles of some sort, surrounded by their families ... Boyi Moort is a visual depiction of my time in the water with the turtles [boyi] ... and a representation of my Noongar families [moort].
Peter Farmer, Noongar, 2015
Kodj (axe) 2013
The making of traditional tools is still being taught. We collect the gum, crush it up, mix it up and crush it up with kangaroo poop. I have fun and games with the children when we teach that to them.
Marie Taylor, Noongar, 2013