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Bendigo Pottery collection

At a glance

  • Early gold fields industry
  • Domestic and decorative ceramic wares
  • Langley and Waverley ranges
Just some of the diverse wares produced at Bendigo Pottery between 1872 and 1921. These include three salt-glazed demijohns, about 1888, a white glazed ceramic water filter, about 1872, a ceramic pickle jar with dark brown and honey-coloured bands, about 1882, cream and honey-coloured bristol ware jug, about 1882, and a bristol ware bread crock with cream body and honey-coloured band, about 1921.
Wares produced at Bendigo Pottery between 1872 and 1921. Photo: George Serras.

150 years of history

Bendigo Pottery is Australia's oldest working pottery. Started by a Scottish settler in the 1850s, the pottery has experienced changing fortunes over 150 years.

A revival led by Bill Derham in the 1970s inspired a renaissance for the business, which has regained a reputation for excellence and innovation.

'Here is the stuff to make pots with!'

Photographic portrait of Bendigo Pottery founder George Duncan Guthrie, about 1890.
George Duncan Guthrie. Photograph by Bartlett Bros about 1890.

George Duncan Guthrie (1828–1910) abandoned his potter's wheel in Scotland to join the Australian gold rush of the 1850s. 'Here is the stuff to make pots with!' he cried as he stumbled upon a clay deposit perfectly suited to the production of ceramics. Guthrie transformed this lucky find into a business that grew to rival the great Staffordshire potteries of 19th century England.

A business is born

Before plastics came to dominate the market, ceramics were used for a much wider range of products. The population explosion created by the Australian gold rush resulted in an increased demand for all kinds of locally manufactured goods. As the market diversified so too did the pottery — from commercial packaging to utility kitchenwares. Domestic items were, however, always a sideline to the main business of serving the building trade.

Expanding enterprise

By 1903 Bendigo Pottery had expanded well beyond its humble beginnings and was filling a large number of orders across Australia. The success of the enterprise had much to do with Guthrie's fastidious management style and his enthusiasm for all aspects of the business.

In cafes and kitchens

Langley ware was the most popular range produced by the pottery. Launched in 1915, and continued well into the 1930s, these brown-coloured items were widely used in homes and cafes throughout Australia. Examples of Langley ware were exhibited at the 1925 British Empire Exhibition in Wembley, London. They received a bronze medal and certificate of merit.

Photograph of Pottery employee H Dower carrying a board laden with jugs.
H Dower carrying a board of jugs about 1938.

Art Deco arrives

As the economy improved after the Great Depression, Bendigo Pottery returned to the production of fundamentally decorative items with a range of 'art pottery' known as Waverley ware. The line reflected Art Deco fashions and was characterised by brightly coloured glazes. Such items were thrown or created by 'slip casting', a mode of production that suited Art Deco motifs with their emphasis on curves, lines and angles.

Assortment of green and fawn glazed Waverley ware vases produced between 1925 and 1950.
Waverley ware 1925-1950. Photo: Lannon Harley.

A dynamic pottery

Photograph of Bill Derham in front of the Stables Gallery.
Bill Derham at the Stables Gallery, which was fitted out under his direction in the 1970s.

By 1949 the fortunes of Bendigo Pottery were in decline. The business struggled to survive as cheap ceramics from overseas flooded the market and competition from plastics meant many products became obsolete.

Bill Derham began his 15-year association with Bendigo Pottery in 1968, and under his leadership the business was soon flourishing again. Derham's ambitious plan for expansion, which included a forceful publicity and marketing campaign, led to renewed interest in the pottery and its products.

The 1970s revival continues today under the direction of Rod and Sally Thomson. In recent times Bendigo Pottery has launched an interpretive museum and website.

The business has been operating for 150 years, a milestone that cements its reputation as one of Australia's most distinctive and dynamic potteries.

The National Museum acquired the Bendigo Pottery collection from Bill and Jeanette Derham. In 2008 the Museum developed and hosted a display in its Hall to mark Bendigo Pottery's 150th anniversary.

Front cover of a paper booklet with 'Apprenticeship Indenture' printed in text and in handwriting, '17 October 1901, John Charles Dehne, Printer And Thrower, with the consent of Chas Denhe to GD Guthrie & Co, 19 Oct 1901 to 19 October 1905'.
Potter Jack Dehne's indenture papers to GD Guthrie & Co, 1901.

The ephemera of working life

The Bendigo Pottery collection includes much more than fine ceramics. It features stamps and printing blocks used in the manufacturing and printing processes, documentary material related to the business and photographs and ephemera which illustrate working life at the pottery.

Indenture papers

Acclaimed Bendigo Pottery thrower Jack Dehne remembered George Duncan Guthrie as a man who gained the respect of his employees by always demanding first-class workmanship. Articles that failed to meet Guthrie's exacting standards would be demolished immediately with his walking stick. He would then issue a stern command to 'start again boy!'

Dehne's apprenticeship indenture papers, dated 17 October 1901, are included in the Bendigo Pottery collection.

Small circular copper token with a hole centre top. 'The Bendigo Pottery Co' is printed around the token's edge and the number '17' in the centre.
Early 20th century Bendigo Pottery time-keeping token.

Time-keeping tokens

The collection also includes various time-keeping tokens used by Bendigo Pottery employees.

These small numbered tokens were first used in 1914. They were issued to each employee and had to be hung on a numbered board before the commencement whistle at the start of the working day. If they were not in place on time, the pay clerk would make a deduction from the bearer's pay.

Other Bendigo Pottery wares

Toby jugs

Another line which attracted attention for Bendigo Pottery was a series of limited edition Toby jugs, which first appeared on the market in 1973. The series was sculpted by former Melbourne Herald cartoonist John Frith and included figures such as Sir Robert Menzies, Ned Kelly, Sir Donald Bradman and Henry Lawson.

Dog's head jar

Elaborate dog's head jars, designed to hold tobacco, were priced at one shilling in 1883. Shaggy, doleful-looking dogs were popular motifs of the day. The dog's expression was partly dependent on how the glazes ran together during firing.

Dark green glazed, vase shaped ceramic money box with a circular base and spherical middle, tapeing to a cone-shaped knob.
An 1880s money box, made and owned by potter William Henry Lewis. Guthrie gave his apprentice potters money boxes to encourage thrift.
Green and fawn glazed jar designed in the shape of a dog's head.
Majolica dog's head tobacco jar, about 1880.

Ewer jug and emulsion jar

Two tall cylindrical honey brown glazed vessels. On the left is a jug with straight sides tapering to narrow neck and a single handle attached at neck and shoulder. On the right is a jar with a rounded base and straight sides, tapering in to the neck then flaring at the lip. Stamped into one side is the text 'VICKERYS' EMULSION' in an oval frame. Stamped just above the base is the text 'THE BENDIGO POTTERY / EPSOM / BENDIGO' also in an oval frame. A white sticker with '21' handwritten in black appears between the two stamps.
Tall ewer jug, about 1880 and Vickery's emulsion jar, about 1879.

These containers came in various sizes and were used by manufacturers to package a range of products. Tall bottles were used to hold gins, medicines and tonics, while wide-necked bottles were favoured for chemicals and turpentine. Tall ewer jugs were identical in design to Dutch 'Bols' bottles, with a handle just large enough for a finger to pass through.


Bendigo Pottery's revitalisation under Bill Derham was accompanied by the launch of the Epsomware range of household ceramics. The handmade nature and earthy tones of these salt-glazed items went on to influence an entire generation of art potters.

Two cream glazed ceramic vases shaped as Gothic arches on a rectangular base, with buttresses at two sides. The front shows the relief image of a church with three spires.
Bendigo Pottery church vases sculpted by Alan Becket to mark the opening of the Bendigo Sacred Heart Cathedral in 1901.


Various pieces from the Bendigo Pottery collection are on show in the Museum's Landmarks gallery.

Landmarks: People and Places across Australia


Collection database records

Bendigo Pottery website