Audio on demand

Historian Michael Cathcart critiques the new Australian Journeys gallery, which traces Australia’s interconnections with the world. Exhibition curator Martha Sear responds, in a discussion chaired by museum general manager Louise Douglas.

Curator Charlotte Smith outlines the development of an exhibition at Museum Victoria based on urban archaeology. She discusses the challenges in interpreting the ‘rubbish’ and creating a snapshot of life in nineteenth-century Melbourne.

Museum consultant Brian Crozier considers how material culture might be interpreted by museums for popular rather than academic audiences. He examines the cultural contributions that museums may make in the study of history.

Researcher, author and Irishman Richard Reid and photographer Brendon Kelson examine the role of the Irish in Australia, to be featured in a forthcoming National Museum book, The Scattered Children of St Patrick.

Curator Kirsten Wehner outlines the themes of the new National Museum of Australia gallery, Creating a Country (now Landmarks). It will look broadly at the history of Australia since European colonisation of the continent in the late eighteenth century.

Guna Kinne and Carmelo Mirabelli’s stories feature in the National Museum’s Australian Journeys gallery. They join curator Karen Schamberger and broadcaster Sylvie Stern in a discussion about their lives in Europe and Australia.

Writer, lawyer and former science minister Barry Jones opens the Charles Darwin exhibition at the National Museum of Australia.

Curator Martha Sear examines the evolution of the National Museum’s Australian Journeys gallery. She provides a comprehensive overview of the stories and the objects in this gallery, which looks at Australia’s connections to the world over time.

ABC journalist Virginia Trioli discusses the work of artist Emily Kngwarreye with Sydney Morning Herald art critic John McDonald and National Museum curator Margo Neale. Does Emily’s work compare with modernism? Is it considered abstract expressionist?

Artist and gallery owner Christopher Hodges, who had a close association with Emily Kame Kngwarreye, affirms her position as an abstract artist and provides insights into how her thinking was reflected in the Emily exhibition in Japan.