Audio on demand
21–30 of 62 total results for art by keyword.
Making a sea change: Rock art, archaeology and the enduring legacy of McCarthy’s research on Groote Eylandt
Dr Anne Clarke, University of Sydney and Ursula Frederick, Australian National University
Barks, Birds and Billabongs symposium, 18 November 2009
Dr Anne Clarke and Ms Ursula Frederick revisit Frederick McCarthy’s research in relation to their own more recent analyses of rock art sites on Groote Eylandt, using sites that were not recorded in 1948, and focusing on cross-cultural interaction.
‘Bastard barks’: A gift from the 1948 Arnhem Land expedition
Adjunct Professor Margo Neale, National Museum of Australia
Barks, Birds and Billabongs symposium, 17 November 2009
Margo Neale explores Charles Mountford’s collection of works on paper, locating them as a useful starting point for reassessing Mountford’s reputation as a collector of Aboriginal art and stories.
Inside Mountford’s tent: paint, politics and paperwork
Dr Philip Jones, South Australian Museum
Barks, Birds and Billabongs symposium, 17 November 2009
Charles Mountford lacked formal credentials as an anthropologist or scientist, yet he led the largest and most complex scientific expedition to remote Australia. Dr Philip Jones explores Mountford’s contribution and the controversy around his leadership.
Between locals: Interpersonal histories and the Papunya art movement
Peter Thorley and Andy Greenslade, National Museum of Australia
Indigenous Participation in Australian Economies conference, 9 November 2009
Thorley and Greenslade consider Papunya Tula during the 1970s, as Indigenous art became recognised as fine art, and remote markets developed, shaping the art movement. But local markets persisted, and their effect on the movement warrants further study.
Albert Namatjira, camels and cars: the evolution of Indigenous art economies in Central Australia
Alison French, Australian National University
Indigenous Participation in Australian Economies conference, 9 November 2009
Alison French considers the role of camels and cars in the evolution of Namatjira’s art and the ways they fostered and sustained both the practice of art as well as myths and stereotypes that position artists and the economic values of their art.
Small Aboriginal community incorporations on shifting ground: A perspective from Ltyentye Apurte Community, Santa Teresa
Judy Lovell, University of Canberra (paper co-authored by Camille Dobson and Veronica Dobson)
Indigenous Participation in Australian Economies conference, 9 November 2009
Judy Lovell describes Keringke Arts Aboriginal Incorporation and the effect of the ‘Emergency Response’ and government reforms; and Ntwerle Aboriginal Incorporation, a new initiative promoting and hosting whitefella leadership training programs.
The economy of shells: A history of Aboriginal women at La Perouse making shellwork for sale
Maria Nugent, National Museum of Australia
Indigenous Participation in Australian Economies conference, 9 November 2009
Maria Nugent explores the 130-year-long practice of shell-working by Aboriginal women at La Perouse in Sydney’s south, and how the makers have been able to create or find new markets by adapting their products to appeal to new customers.
Get Up, Stand Up public forum
Martin Ballangarry, Brothablack, Professor John Maynard and Rachel Perkins
10 September 2009
Contemporary forms of Indigenous protest are examined by historian John Maynard, film director Rachel Perkins, elder Martin Ballangarry and hip-hopper Brothablack in a forum coinciding with the Museum’s From Little Things Big Things Grow exhibition.
Tattoos, lashing, house and canoe building
Siosiua FP Tofua'ipangai
Vaka Moana series, 16 June 2009
Siosiua FP Tofua’ipangai, also know as Lafitani, examines significant Tongan cultural practices, discussing the techniques of tattoos, lashing, house and canoe building over time.
Violent ends: the arts of environmental anxiety
Professor Deborah Bird Rose, William Fox, Professor Tom Griffiths, Roger Hillman, Mandy Martin, Kate Rigby, Dr Libby Robin, Professor Will Steffen, Dr Carolyn Strange, Thom Van Dooren
11 June 2009
Fears around global warming are explored through different mediums by a group of artists, poets, dancers, singers, scientists, film makers, historians, creative writers and cultural theorists.

