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This paper tracks the shifts in the relationships of the National Museum of Australia and the National Gallery of Australia with Aboriginal art, culture and histories.
The concept of Indigeneity has, over time, become an important marker of Australian cultural identity, distinguishing specifically Australian characteristics and traditions from those of other nations. It has enabled some museums, particularly the National Museum, to open up debate on the moral and ethical issues arising from Indigenous histories and cultures.
Yet in this arena it could be said that the art museum led the way; its celebration of Aboriginal art has played a part in fostering the economic independence of some Indigenous communities, and has been a source of substantial self-esteem and pride in communities long denied a valued place in Australian society. Alternatively, however, the aesthetic framework of the art museum could be seen to diminish the political message of much Aboriginal art.
This paper explores the tensions between aesthetics, history and politics that have been critical in the institutional histories of the National Museum and the National Gallery.
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