On now in Canberra
Stories of Aboriginal and Torres Strait Islander objects from the British Museum.
Architecture and design
The National Museum of Australia was designed by architects Ashton Raggatt McDougall and Robert Peck von Hartel Trethowan and sits on an 11 hectare site in Australia's national capital Canberra on the Acton Peninsula, edging Lake Burley Griffin.
The project originated with an International Design Competition which the architects won in 1997 and was opened at the Acton Peninsula in March 2001.
The architecture and design of the National Museum of Australia was a milestone for a building of its type. Avoiding traditional museum interpretations, the architects developed a post-modern structure reflecting the diversity of the Museum's collection.
The most noticeable design feature of the Museum is the gigantic sculptural loop at the entrance – the most visible part of the Uluru line.
The building itself, which houses 6600 square metres of exhibition space, is composed of several individual spaces pieced together like a jigsaw puzzle, forming a semicircle around the Garden of Australian Dreams.
Colour is used extensively, outside and inside. The exterior is a vibrant palette of crimson, orange, bronze, gold, black and brushed silver. Textures range from the smooth finish of the anodised aluminium panels that clad much of the building to the deeply patterned moulded concrete surface of the western section. Some of the raised dimples and sunken holes are words written in braille.
Visitors enter the Museum through the Hall, a great light and open space with curving walls, windows and ceilings. To the architects, the Hall is like a huge rope knot seen from the inside. It is a metaphor for the strands that tie Australians together as a nation, the weaving together of the lives and stories of Australia and Australians.
Following the line of the rope through the Hall leads to the gallery spaces located on three levels. One of the Museum's special features is the integration of exhibition and building design – for the exhibition designers colour was central to communicating stories about Australia.
The loop and the Uluru line
The Uluru line begins at the Museum as the entrance canopy and sheltered walkway. It then swoops up into the loop, a great curve 30 metres high, before continuing as a wide red footpath past the Australian Institute of Aboriginal and Torres Strait Islander Studies. The Uluru line ends physically in a curled concrete ramp that, conceptually, continues north-west to Uluru (Ayers Rock).
The Garden of Australian Dreams
The Garden of Australian Dreams is a symbolic landscape – large sculptural forms within a body of water, a little grass and a few trees. Encircled by the Museum, it provides an opportunity for visitors to stop and relax as they contemplate an artistic exploration of 'place' and 'home'.
The Garden of Australian Dreams' design is based on a slice of central Australia. A concrete surface depicts a highly coloured, stylised 'map' of the area; take one step and you travel the equivalent of 100 kilometres across the real landmass of the country.
The words on the undulating surface of the map identify place and country – 'home' is repeated in 100 different languages. The lines that crisscross the map include surveyors' reference marks, road maps, the dingo fence, and Indigenous nation and language boundaries.
More about the building
Outside the building
The Paddle Steamer Enterprise is permanently moored outside the National Museum on Lake Burley Griffin. The ship is open for inspection each weekend from September to May, normally from 11am – 3pm subject to crew availability and weather. Check the Museum's online calendar for details.